Screenplay by George Seaton
Adapted from the play The Country Girl by Clifford Odets
Frank Elgin, an aging, washed-up, alcoholic actor is offered the lead in a new play. The director, Bernie Dodd, who is also a fan, is determined to help Frank make a major comeback. Frank's long-suffering wife, Georgie, also desperately wants to help her husband, but Frank turns Bernie against her in order to avoid taking responsibility for his own problems, which leads to many unnecessary arguments.
This is a significantly more faithful adaptation than most previous winners of this award. Many of the lines in the movie are taken directly from the play, and most of the changes are still consistent with the original characters and story. One change that amused me is originally, Frank starred in a dramatic play, whereas in the adaptation it's a musical comedy. I assume this has to do with the casting of Bing Crosby in the film - was he ever in a movie in which he didn't sing?
There are a few aspects of the story that are mentioned briefly in the play that the movie greatly expands on. Perhaps the most notable example is the play mentions that Frank and Georgie had a daughter who died, but never explains exactly what happened or expands on the impact that had on their marriage. In the movie, however, they had a son, and the circumstances surrounding his death are shown in a flashback. Frank blames himself for what happened, and uses this to justify his excessive drinking and his shirking of all potential responsibility. This is slightly implied in the play, but the movie makes it a focal point of the story. For the most part it works well, although it becomes a little overly dramatic in spots. A couple similar changes also make the movie somewhat more dramatic than the play, and it's a little over-the-top, but not too much. Otherwise, apart from the additional settings that almost always appear when a story is adapted from stage to screen, the film is very similar to the play.
I never would have even considered Grace Kelly for the role of Georgie, but she gives a remarkably un-Grace-Kelly-ish performance that is just right for the character and deservedly won her an Oscar. Bing Crosby and William Holden are also perfect for their parts (once they added some songs for Bing). It's a flawlessly-cast, faithful adaptation with changes that further enhance the original characters; what more could one ask of an adaptation?
Next up: Best Picture Winner Marty, which was based on a made-for-TV movie, so this is the first time I'll be watching rather than reading the source material
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